REFEREED PERFORMANCES
Peer reviewed compositions/performances for conferences such as NIME, ICMC, MoxSonic, and more.
"Like a Tune” for Trombone and Interactive Spatial Electroinics. SEAMUS 2026 (May 2026)
“all because we can” for Electronics (3rd order ambisonics), Data Visualization, and Data Sonification. SEAMUS 2026 (May 2026)
“all because we can” for Trumpet, Electronics (3rd order ambisonics), and Data Sonification. Spaceout Festival. University of Michigan. (October 2025). 18% acceptance rate.
“Reflections on Water,” Alexandria Smith and Caroline Miller. Soundbox 8. Oregon State University. (June 2025)
“Oxyluciferin for vocals, trumpet, live electronics, and data sonification.” SEAMUS. Purdue University. (March 2025)
“Oxyluciferin for vocals, trumpet, live electronics, and data sonification.” SEAMUS. Purdue University. (March 2025)
“Palpitations for trumpet, electronics, and biofeedback sensing.” International Computer Music Conference (ICMC). Seoul, Korea (July 2024).
“Palpitations for trumpet, electronics, and biofeedback sensing.” Society for Electro-Acoustic Music in the United States (SEAMUS). Baton Rouge, LA (April 2024).
“Palpitations for trumpet, electronics, and biofeedback sensing.” MoxSonic. Warrensburg, MO (March 2024). 30% acceptance rate.
“Hearing Vision for trumpet, electronics, and biofeedback sensing.” Reconsidering Music, Technology, and Gender Symposium at the University of California Los Angeles. Los Angeles, CA. (January 2024).
“Listening for trumpet, electronics, and biofeedback sensing.” New Music on the Bayou: Black Bayou National Wildlife Refuge. Monroe, LA. (June 2023).
“Exhale: Experiments in Wearable Electronics and Biofeedback.” MoxSonic. University of Central Missouri. (March 2020)
Lecture Recital: “Mother Woke Me for voice, trumpet, and electronics.” Sonic Fluidities Conference. University of California San Diego. 2018.